{"id":1143,"date":"2015-04-07T20:23:50","date_gmt":"2015-04-07T20:23:50","guid":{"rendered":"https:\/\/teatropovero.it\/spettacoli-teatro-povero\/1991-2\/"},"modified":"2016-05-02T20:38:16","modified_gmt":"2016-05-02T20:38:16","slug":"1991","status":"publish","type":"season","link":"https:\/\/teatropovero.it\/en\/spettacoli-teatro-povero\/1991\/","title":{"rendered":"1991"},"content":{"rendered":"<p><a href=\"https:\/\/teatropovero.it\/_mamawp\/wp-content\/uploads\/2015\/04\/1991.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-390 aligncenter\" src=\"https:\/\/teatropovero.it\/_mamawp\/wp-content\/uploads\/2015\/04\/1991.jpg\" alt=\"1991\" width=\"279\" height=\"400\" \/><\/a><\/p>\n<p>The Teatro Povero saw the 1991 production as its twenty-fifth <em>autodramma<\/em>, since beginning in 1967; even though the main characteristics of the format had taken a few years to develop.\u00a0 A time for celebration, then?\u00a0 The community was not in a mood to congratulate itself.\u00a0 On the one hand, the company was suspicious of celebrations, and preferred to view the anniversary with some irony.\u00a0 On the other hand, it saw nothing to celebrate in the news of the first Gulf War\u2014on the contrary, those events provoked very painful memories of other wars to which Monticchiello had been subjected.<\/p>\n<p>The play opened with a satirical view of the Teatro Povero\u2019s own actors, some of whom were caught up in a mood of personal nostalgia for previous shows, while others were working out how to make more profit from the audience.\u00a0 An attempt at public celebration, involving the village band and the presentation of awards, was darkly interrupted by a horseman wearing a gas mask and carrying a spear.\u00a0 This prompted memories of villagers who had died during the period 1944\u201145; and a group of threatening voices depicted a world permanently filled with conflict and destruction.\u00a0 The climax of the first act was an implacable recitation of the names listed on Monticchiello\u2019s memorial to the dead of the First World War.<\/p>\n<p>In the second act we saw a peasant family at the time of that first war, during the autumn olive harvest.\u00a0 They were sheltering a family member who had deserted from the army, and had to face a visit from the <em>carabinieri<\/em>.\u00a0 Painful moral dilemmas were confronted, made more complex by other types of death and violence suffered by other peasants just from working in the fields.<\/p>\n<p>The script by Andrea Cresti (who also directed, as usual), Maria Rosa Ceselin, Marco Del Ciondolo and Vittorio Innocenti was one of the most complex and multi-layered so far presented, combining realism with different levels of symbolic fantasy.\u00a0 It also drew heavily on contributions and family memories from other members of the company.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":390,"template":"","class_list":["post-1143","season","type-season","status-publish","has-post-thumbnail","hentry","category_season-autodramma-en","category_season-show"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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