{"id":1150,"date":"2015-04-07T20:04:00","date_gmt":"2015-04-07T20:04:00","guid":{"rendered":"https:\/\/teatropovero.it\/spettacoli-teatro-povero\/la-mostra-delle-paure-2\/"},"modified":"2016-05-02T20:35:13","modified_gmt":"2016-05-02T20:35:13","slug":"la-mostra-delle-paure","status":"publish","type":"season","link":"https:\/\/teatropovero.it\/en\/spettacoli-teatro-povero\/la-mostra-delle-paure\/","title":{"rendered":"La mostra delle paure  (The Fear Exhibition)"},"content":{"rendered":"<p><a href=\"https:\/\/teatropovero.it\/_mamawp\/wp-content\/uploads\/2015\/04\/1985.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-366 aligncenter\" src=\"https:\/\/teatropovero.it\/_mamawp\/wp-content\/uploads\/2015\/04\/1985.jpg\" alt=\"1985\" width=\"293\" height=\"414\" \/><\/a><\/p>\n<p>The theme of \u2018fear\u2019 was seen by the Teatro Povero as an all-embracing topic, which could be explored in relation to its own peasant past, to its wartime experiences, and also to the present and the future.\u00a0 Research made it possible to enhance individual memories with the help of anthropology and the study of folklore.\u00a0 Superstitions, rituals, nightmares; but also very real threats imposed by the unjust social and economic system of sharecropping, which was still vivid in the memory.\u00a0 So, as usual, there was interplay in this <em>autodramma<\/em> between the remembered past and the more or less invented present.<\/p>\n<p>On the one hand, a man who wants indeed to mount an Exhibition of fears in Monticchiello\u2019s central square: the concept was supported by inventive scenography devised for the Teatro Povero by the designer Aleardo Paolucci.<\/p>\n<p>On the other hand, a sequence of fears from past times, real and imaginary.\u00a0 Fear of ghosts and witches, fear of snake bites, fear of the Nazi SS troops who threatened to shoot the whole population in 1944.\u00a0 Fear most of all of the possibility of being evicted by one\u2019s landlord, of being left with no home, no work, and no means of survival.\u00a0 The only person who might avert this threat was the local \u2018fixer\u2019 or go-between, Balzellino: the Teatro Povero\u2019s home-made comic mask, but a man who could not entirely be trusted.<\/p>\n<p>In a revived piece of \u2018mumming\u2019 folk drama, all fear was encapsulated in the single figure of an ugly old woman, \u2018<em>la Vecchia<\/em>\u2019, who could be ritually (and comically) destroyed and replaced\u2014winter giving way to spring.<\/p>\n","protected":false},"featured_media":366,"template":"","class_list":["post-1150","season","type-season","status-publish","has-post-thumbnail","hentry","category_season-autodramma-en","category_season-show"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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