{"id":991,"date":"2015-04-07T23:09:47","date_gmt":"2015-04-07T23:09:47","guid":{"rendered":"https:\/\/teatropovero.it\/spettacoli-teatro-povero\/tempi-veleniferi-2\/"},"modified":"2015-12-12T10:47:56","modified_gmt":"2015-12-12T10:47:56","slug":"tempi-veleniferi","status":"publish","type":"season","link":"https:\/\/teatropovero.it\/en\/spettacoli-teatro-povero\/tempi-veleniferi\/","title":{"rendered":"Tempi veleniferi  (Poisonous Times)"},"content":{"rendered":"<p><a href=\"https:\/\/teatropovero.it\/_mamawp\/wp-content\/uploads\/2015\/04\/2014.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-492 aligncenter\" src=\"https:\/\/teatropovero.it\/_mamawp\/wp-content\/uploads\/2015\/04\/2014.jpg\" alt=\"2014\" width=\"375\" height=\"496\" \/><\/a><\/p>\n<p>The 2014 <em>autodramma<\/em> was structured around a play within a play.\u00a0 A comfortably farcical peasant drama called <em>Grano velenifero<\/em> (\u2018Poisoned Grain\u2019), composed some time ago by the late Osvaldo Bonari, was presented as a distraction from immediate worries.\u00a0 In the old days, it was suggested, Tuscan peasants were able to divert their minds from their problems by telling stories and having a good laugh.<\/p>\n<p>But this attempt at entertainment was regularly disrupted on stage by serious discussions.\u00a0 In an Italy plagued by crisis, and particularly by corrupt politicans and financiers, the rat-poison (<em>veleno<\/em>) of Osvaldo\u2019s play invited a metaphorical significance: what poison could get rid of the human \u2018rats\u2019?\u00a0 <em>Grano velenifero<\/em> was therefore framed and interrupted by a series of episodes which referred to a modern context, to present-day \u2018poisonous times\u2019.\u00a0 In particular there was a satirical presentation of charlatans who claimed to solve everyone\u2019s problems by semi-magical formulae: lottery numbers, tarot cards, or the \u2018symbols of the universe\u2019.<\/p>\n<p>This <em>autodramma<\/em> also contained a more self-reflective train of thought.\u00a0 Monticchiellesi were aware that they were mounting their 48th annual <em>autodramma<\/em>\u2014only two more years, and they would reach the half-century.\u00a0 Was that something to celebrate, or did it mean that the company\u2019s story was nearing its end?\u00a0 The point was explicitly made that in <em>Grano velenifero<\/em> the younger members of the peasant family were being played by actors who themselves were not at all young: the company was getting old collectively, and failing to attract new blood.\u00a0 Osvaldo\u2019s farce ended in a slightly ironic marriage celebration; the <em>autodramma<\/em> ended in an uneasy contemplation of the 50th anniversary feast which the Teatro Povero might mount in two years\u2019 time.\u00a0 A group of \u2018monsters\u2019, familiar from other recent plays, briefly attempted to ruin the party.<\/p>\n","protected":false},"featured_media":492,"template":"","class_list":["post-991","season","type-season","status-publish","has-post-thumbnail","hentry","category_season-autodramma-en","category_season-show"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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